翻訳と辞書
Words near each other
・ I Was Made for Lovin' You
・ I Was Made to Love Her (album)
・ I Was Made to Love Her (song)
・ I Was Made to Love You
・ I Was Me
・ I Was Meant for You
・ I Was Monty's Double
・ I Was Monty's Double (film)
・ I Was Nineteen
・ I Was Only Joking
・ I Was Only Nineteen
・ I Was Possessed (TV Series)
・ I Was Raised on Matthew, Mark, Luke & Laura
・ I Was Right and You Were Wrong
・ I Was So Unpopular in School and Now They're Giving Me This Beautiful Bicycle
I Was the King, I Really Was the King
・ I Was the One
・ I Was Told There'd Be Cake
・ I Was Totally Destroying It
・ I Was Trying to Describe You to Someone
・ I Was Warned
・ I Was Wrong
・ I Was Wrong (Celeste Buckingham and Majk Spirit song)
・ I Was Wrong (Social Distortion song)
・ I Was Wrong, I'm Sorry & I Love You
・ I Washed My Hands In Muddy Water
・ I Wasn't Born to Lose You
・ I Wasn't Born Yesterday
・ I Wasn't Kidding
・ I Wasn't the One (Who Said Goodbye)


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I Was the King, I Really Was the King : ウィキペディア英語版
I Was the King, I Really Was the King

''I Was the King, I Really Was the King'' is the second album by British alternative rock band Animals That Swim, released in June 1996 via Elemental Records. Its title is taken from a line in the book ''This is Orson Welles''.
==Critical reception==
''I Was the King, I Really Was the King'' received mixed to positive reviews upon release. Allmusic's Ned Raggett saw the LP as a natural progression from the band's debut album, ''Workshy'', but more energetic and "pop-friendly".〔 He drew musical comparisons with Marc Almond's solo material and the songs of Simple Minds, and highlighted "The Longest Road" as one of the album's best tracks, stating that the trumpet playing of Del Crabtree gave the band's sound an integral uniqueness;〔
Crabtree's trumpet once more gives a very specific identity to the songs – it isn't simply added on, but becomes part of it, replacing what might have been in a less inventive group go-nowhere guitar or keyboard soloing... Fine numbers include "The Longest Road," one of Crabtree's best performances featuring on an at once brisk and melancholy song with a wonderful, subtly addicting chorus...

John Harris, writing for ''Q'' magazine in July 1996, thought that the album was "slightly compromised by a new-found accent on aural polish" compared to the that of the group's debut LP, but went on to single out "Faded Glamour", "Kitkats and Vinegar" and "The Greenhouse" as the album's highlights, in which "chief vocalist and lyricist Hank Starrs sculpts beautifully human vignettes, while the band provide shining evidence of their lofty musicality."〔 ''Vox'' magazine's Mark Beaumont thought that the record was "a far more solid affair" than ''Workshy'', surmising that the group had placed more emphasis on melody in comparison to their earlier output.〔 He highlighted "The Greenhouse" and "East St O'Neill" as standout tracks, and ended his review with a short summation of the album's overall sound; "Horns parp convincingly, guitars swagger rather than stagger, choruses seem to have some idea of where they want to be in 30 seconds' time and Animals That Swim emerge as – gasp! – actual, potential pop stars".〔

| rev2 = ''Q''
| rev2Score =
| rev3 = ''Vox''
| rev3Score = (8/10)
}}

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「I Was the King, I Really Was the King」の詳細全文を読む



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